I’ve been going through a crisis with my game. The various procedures for city building and play are coming along nicely, but the thing I’ve been lacking is what happens at the individual level. You know, on the character sheet.
I’d convinced myself this would have an entirely new system. In some ways that’s a bit absurd: I’m influenced by certain kinds of games, and those influences are going to shape any kind of game system I design. Whatever I make up it won’t be from whole cloth; in fact I want it to closely resemble the games I like running today.
So, over the last month I’ve been going back and forth between different designs, trying to conceive the perfect, minimalist system as a base for the procedures of play, and beating myself up a bit in the process.
The first lightbulb moment came listening to fine folks on the UKRoleplayers board talking about their designs, and false dawns in their creative process. Now, I was nowhere near the dawn with this particular problem, but what it did remind me is that plenty of creative people will look at something they’ve done, and they will find fault with it, and that’s OK. Something in my gut was not satisfied with my base system. So I listened to it, and I felt better about saying “no, that’s not going to work.”
After that hurdle the second lightbulb came pretty quickly, and that was if you’re not going to design something yourself, why not look around and see what’s free? So I looked into open gaming.
FATE, fascinating system that it is, is not right for what I want to achieve. Neither is an Apocalypse World hack. Anything resembling BRP (such as the rather good Renaissance) is too fiddly, and Traveller is too stark. And d20? Not for me, thanks.
What I really want is a game where traits are painted with a very broad brush, with minimal moving parts. Something like Everway, except Everway isn’t open. But there’s another minimalist system by Jonathan Tweet (with Robin Laws): WaRP.
It’s Just A Jump To The Left
And that’s my third lightbulb moment. I knew full well that the system had been released under OGL following OTE’s 20th anniversary, but for some reason it took a while to sink in that I could use it for my own game.
I suppose it’s a peculiar choice in this day and age. WaRP’s three broad traits with a fourth fault satisfy my numerological tendencies, but they’re not exactly descriptors like FATE’s aspects, they don’t have the granularity of OpenQuest, or the familiarity of the OSR, or direct agency of AW’s moves. They’re kind of a throwback to 90’s minimalist gaming; exactly the kind of play I like the most, but not what you could call popular.
We shall see whether it works. These are the reasons I really like WaRP:
First, there’s the three traits. The central trait is basically a career trait, not dissimilar to Barbarians of Lemuria’s non-combat careers. The two side traits are slightly narrower descriptions of actual competencies (like driving, engineering, fighting).
The kind and number of dice are just right: good old D6, with small numbers in the pool so every roll doesn’t become a tiresome hunt-and-peck for numbers. The WaRP SRD gives various options for interesting results such as the effect of 6s (exploding or otherwise).
Fringe Powers (magic) are freeform, and limited use per session. Not per day, per session. That’s a smart mechanic that encourages continual use of Fringe Powers, but not so much that they dominate the game.
I also like the experience system: it’s measured in dice, as in real d6 that can be used to augment rolls, again per-session. However you also spend those dice to improve, leading to a choice: keep a large Experience Pool to help you out of sticky situations more often, or spend it to improve your core abilities?
Some features will need clarification, or expansion, but on the whole I feel very comfortable about using WaRP, modified or straight. It’s also something of a relief to have made a decision to use this system, at least in the interim. Now I can focus on other things.